"The week before I leave, I listen to a song by an L.A. composer about the city. I would listen to the song over and over, ignoring the rest of the album. It wasn't that I liked the song so much; it was more that it confused me and I would try to decipher it. For instance, I wanted to know why the bum in the song was on his knees. Someone told me that the bum was so grateful to be in the city instead of somewhere else. I told this person that I thought he missed the point and the person told me, in a tone I found slightly conspiratorial, 'No, dude…I don't think so.'"
— Bret Easton Ellis, Less Than Zero, 193